Christopher Heyerdahl
Togo’s fine, grainy exhibition of the Alaskan atmosphere is often breathtaking, yet its release through streaming may have sacrificed its beauty.
The potential lingers over Adopt A Highway like a dark cloud, ready to pour some nuance onto what becomes a rather muddled first effort.
Stockholm is successful in doing the impossible – making the viewer understand and even empathize with the interpersonal connection between a hostage and her captor, and vice versa.