Christian Petzold
Fueled by brilliant performances and Petzold’s typically masterful storytelling, Afire will continue to smolder in the depths of your mind.
Christian Petzold boldly reimagines the ancient myth of Undine in this suspenseful tale of romance and betrayal in modern-day Berlin.
Wilson Kwong reviews two more films from Berlinale 2020: Undine and The Intruder (El Prófugo).
This week’s Video Dispatches covers the new home video releases of Buster Keaton’s films, The Reptile (1966), Claire Denis’ High Life and 2018 film Transit.
Transit cements Christian Petzold’s status as a modern storytelling master. A film of surreal, sad beauty, it should not be missed.
Transit finds Christian Petzold on the same end of the telescope as his previous films, but looking through a more sophisticated, evolved tool with a wider view of the medium.
Transit and Diamantino are two films that, though with varying approaches and to varying success, attempt to delve into the political turmoil of our world through their narratives.
Our last report from this year’s TIFF includes reviews of the latest offerings by Frederick Wiseman, Paweł Pawlikowski, Christian Petzold, and more!
In our first Melbourne International Film Festival report, we cover a collection of films, including Columbian crime dramas, a time-bending German war film, and an experimental exercise in young adult race relations.
In this report from day 3 and 4 at Berlinale 2018, we cover Dovlatov, Eva, Transit, Our House, The Real Estate and Jahilya.