Chris Hemsworth
Furiosa: A Mad Max Saga, is a prime example of how to craft a narrative expansion that ignites a creative spark worthy of praise.
While not the worst Thor film, Love & Thunder has a lot of potential in its fantasy adventure but rarely rises to become a worthy sequel.
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
Thor enlists the help of Valkyrie, Korg and ex-girlfriend Jane Foster to fight Gorr the God Butcher, who intends to make the gods extinct.
In Extraction, a fearless black market mercenary embarks on the most deadly extraction of his career when he’s enlisted to rescue the kidnapped son of an imprisoned crime lord.
Jay and Silent Bob Reboot, is a heartfelt, thoughtful film that takes a clever jab at Hollywood’s dwindling originality, while maintaining its own level of originality.
Men In Black: International doesn’t work like it should, but Kumail Nanjiani is a standout in this mediocre entry to the franchise. Alex Arabian reviews.
Avengers: Endgame was three hours of time-altering fights, blood, promises made, promises kept, and death – all culminating in a spectacular end to a decade’s worth of beloved movies.
In Men In Black: International, the Men In Black tackle their biggest threat to date: a mole in the Men in Black organization.
In the aftermath of Thanos wiping out half of all life in the universe, in Avengers: Endgame, the Avengers must do what’s necessary to undo his deed.
On the performances alone, Bad Times at the El Royale is worth your time and money, lending itself to justifiable reasons to revisit for multiple viewings.
12 Strong feels on a par with the cringeworthy, overly patriotic action films made during the significant wars of America’s past, with nothing to say about the nature of war itself.
Thor: Ragnarok may be a fun time, but it’s also disruptive to the MCU as a whole, trading real drama and storytelling for cheap laughs.
In the age of over-bloated Hollywood tentpoles and remakes, Thor: Ragnarok is truly King of the…
“The horror genre gets (us) in touch with our primal instincts as a people more than any other genre I can think of. It gives (us) this chance to … reflect on who we are and look at the … uglier side that we don’t always look at, and have fun with that very thing.” —Drew Goddard (IMDb) I may be a little late to the party (by about four or five years) but for those of you who have not yet seen Drew Goddard (writer and director) and Joss Whedon’s (writer and producer) The Cabin In The Woods be forewarned, this article contains spoilers.