As a work of storytelling, Guadagnino’s reimagining of the canonical giallo is a boring mess with higher thematic aspirations than it’s able to realise.
The Miseducation of Cameron Post hits on a topic that is contemporary and significant but it never handles this in a way that feels, for want of a better word, preachy.
Stephanie Archer reports on her time during the 2018 Tribeca Film Festival and the red carpet photos and interviews she had the opportunity to be a part of.