China
Kung Fu Panda 4 has lost some of its mojo, but still has a few nice moves left in this old franchise.
The Movie Emperor spawns one of Andy Lau’s most interesting performances in recent years.
Every time The Breaking Ice seems to be on the brink of shattering, it glides.
Film Inquiry spoke with Jacky Heung for the film 100 yards!
Both a monumental piece of Chinese cinematic history and a lasting tribute to the special brilliance of its star, this is essential viewing.
Youth (Spring)’s 3-plus hour length is not only necessary, but an absolute gift to sit through.
A snapshot of small-town ennui with a hefty splash of neon-tinted noir, Streetwise has an intoxicating atmosphere.
Donnie Yen might not be King Hu behind the camera, but he’s still a joy to watch in front of it — even in a weaker wuxia like Sakra.
Despite what its title might suggest, Are You Lonesome Tonight isn’t maudlin and it certainly isn’t one which seeks desperately to impress.
A dreamlike evocation of love and longing on the banks of the titular river running through Shanghai, Lou Ye’s Suzhou River is a landmark film.
Operation Fortune: Ruse de Guerre is not a movie we need per se, but for those enthusiasts of Guy Ritchie, it might have been just enough for them.
Shyamalan’s Knock At The Cabin finds new ways to explore old ideas, deviating slightly from his usual formula while still making you frightfully uneasy.
It’s been four years since A Long Day’s Journey Into Night, but A Short Story should serve as a satisfying appetizer for whatever feature-length treat.
An imperfect yet still intriguing debut feature, Old Town Girls signals Shen Yu as a director to watch.
It might primarily tell a man’s story, but it’s the women—both in front of and behind the camera—that make Ever Since We Love worth watching.
