children
Children in War contributes a clear-eyed, disciplined, and eloquently forceful rejection of every lie and excuse ever conjured for the justification of war.
Through The Night is not just about a daycare, but about a broken system that forces parents to choose between their children and their livelihood.
We were able to talk with Milda Baginskaite and Martha Binns, director and star respectively, of the short sci-fi drama 7 Planets, about the creative decisions for this film, and the experience of making it.
Birthmarked is a comedy struggling with an identity crisis. Maybe that’s the point, or was more nurturing required?
Mom and Dad maintains its absurdity, while not completely abandoning its eerie core, sensitively playing off a very personal, instinctual source of parents defending their young – until they become prey.
Diary of A Wimpy Kid: The Long Haul fails from a dreadful script that possesses the unique ability to make 90 minutes feel like an eternity.
The Fallen Idol is a fascinating look at adultery through the eyes of an innocent child, and has had a long-standing legacy as a result.
Cries from Syria comes from the perspective of those standing in opposition to Assad, and serves as a tribute to Syria’s children.
While Lego Batman is essentially a spoof movie, it’s especially impressive that this film was able to keep us laughing from beginning to end.
Abbas Kiarostami was an Iranian filmmaker that was part of the Iranian New Wave, a movement concerning self-reflexive and humanistic films.
With 2016 ending in cinematic glory, we look back at the widespread success of family films and how they are vital to the cinematic landscape
About midway through Andrei Tarkovsky’s feature 1962 film debut of Ivan’s Childhood, in the midst of a Russian battlefield field torn asunder during World II, a cross is backlit by a setting sun. The cross is obscured in shadow and yet its beauty remains. A spiritual man, Tarkovsky was never afraid to ask questions about spiritual matters.
Filmgoers have always been captivated with man’s primal nature. From the silver screen adaptations of The Wolf Man to the mysterious Creature from the Black Lagoon, the primitive side of these movie monsters has contributed to horror genre’s A-team roster. Upon viewing their animalistic nature, our minds are suddenly given a glimpse into the missing link between man and beast.