Cannes Film Festival
Strange Way of Life could fulfill all the clichés of the genre, with gunslingers, ranches, and a sheriff, but with a completely different angle.
Cannes Film Festival 2022: Alice Winocour’s PARIS MEMORIES is a Mature Study of Violence and Healing
Paris Memories was the final film I saw at the fest and in its quiet, assured way, was one of the most satisfying.
Elena López Riera’s El Agua is a slow, seductive, and assured tale of young love and mysticism in an exquisitely rendered Spanish village.
R.M.N. is the work of an artist with a rare gift for transmogrifying culture, politics, and ideology into human drama.
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
Is Quentin Tarantino just another white male director carelessly contributing to the gender bias in cinema with Once Upon a Time in Hollywood?
In our final Cannes roundup, the team reviews some of the festival’s hotly anticipated films, including the latest by Quentin Tarantino and Xavier Dolan.
In our latest Cannes roundup, the team reviews a variety of films, from Céline Sciamma’s Portrait of a Lady on Fire to Boon Joon-ho’s latest Parasite.
Alistair Ryder and Gus Edgar report from Cannes Film Festival with reviews of Gaspar Noé’s latest, Robert Eggers’ The Lighthouse and more.
Gus Edgar, Maria Lattila and Alistair Ryder report from Cannes Film Festival 2019 with reviews of Little Joe, First Love, Rocketman, Atlantics and more.
Gus Edgar & Alistair Ryder report from Cannes, with reviews of The Dead Don’t Die, Deerskin, Les Miserables, Bull and A Brother’s Love.
Gus Edgar reports from Cannes Film Festival, where he saw Solo: A Star Wars Story, Lars Von Trier’s The House That Jack Built, and more, and lists the winners of the festival’s Awards.
On Cannes days 5 & 6, Gus Edgar saw a variety of films, including Gaspar Noe’s Climax, Mandy, and Spike Lee’s latest BlacKKKlansman.
Reporting from Cannes Film Festival, Gus Edgar reviews Eva Husson’s Girls of the Sun, Jean-Luc Godard’s The Image Book, and more.
Gus Edgar reports from Cannes Film Festival and shares some of his first two days in the French Riviera. He reviews Kenyan LGBT film Rafiki, Paul Dano’s directorial debut Wildlife, Colombian film Birds of Passage, and more.