Cannes
From Cannes Film Festival Wilson Kwong reviews Payal Kapadia’s Grand Prix winning All We Imagine as Light and Rúnar Rúnarsson’s When the Light Breaks.
From Cannes Film Festival, Wilson Kwong reviews
Magnus von Horn’s The Girl with the Needle and Agathe Riedinger’s Wild Diamond.
Jonathan Millet’s Ghost Trail and Guan Hu’s Black Dog both tackle serious subject matter with subdued restraint.
It’s truly difficult to qualify the beast of an experience that is Megalopolis, and because of that, there’s an undefinable elegance.
At Canne’s 2024, Film Inquiry reviews Quentin Dupieux’s The Second Act (Le Deuxieme Acte), and Rungano Nyoni’s On Becoming a Guinea Fowl.
Furiosa: A Mad Max Saga, is a prime example of how to craft a narrative expansion that ignites a creative spark worthy of praise.
The uber-formalistic approach of The Zone of Interest may strike some as unfeeling and morally empty, but it’s an authentic film.
Wilson Kwong dives into two films that are interesting examples of dramatic French cinema with clear commercial appeal.
R.M.N. is the work of an artist with a rare gift for transmogrifying culture, politics, and ideology into human drama.
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
With Cold War, Pawlikowski has crafted his most ambitious project yet; a portrait of a tortured relationship starting in late 1940’s Poland, climaxing in the early sixties.