Canada
We were able to speak with Jonas Chernick, star of the upcoming sci-fi James vs. His Future Self, during the 2020 Glasgow Film Festival.
Suffering from poor editing and poor character development, Run This Town seems fated to become lost in a sea of releases.
Each of these stories featured an intriguing idea with theirr own successes, yet the compilation of Grim Woods leaves much to be desired.
A lightweight premise with heavyweight emotions, Shoot to Marry lets you ride shotgun on a highly entertaining journey of modern romance.
At the heart of Goalie is a tragic tale worth telling, but unfortunately the film, despite its best intentions, fails to do it justice.
Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.
The Death and Life of John F. Donovan is far from perfect, but still manages to be a fascinating attempt at exploring sexual identity, isolation and the consequences of fame.
The Soska Sisters film Rabid honors the basic premise of David Cronenberg’s original while meticulously crafting an identify of its own.
The events portrayed in Bombshell may have captured the world’s attention, but this film delivers too soft a punch to make the same impact.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…
Even in its short runtime, Red Letter Day disappoints by the sheer laziness of never pushing the screenplay to a possibly climactic finale.
While not challenging, The Parts You Lose is a thoughtful if not meager meditation on the relationships that define us.
As poetic as its title, The Body Remembers When the World Broke Open cannot be understated for its power and must not be erased from the conversation.
Somewhere in the passable 90-minute In the Tall Grass is an hour long short that’s riveting, tense, and short enough to not overstay its welcome.
Night Hunter’s stellar cast, skilled musical score composers, and a solid set of inspirations combine to little beyond an uninspiring drama at best.