Canada
Spinster is a relatable journey from recently broken up single to content and confident, yet still single.
Fluctuating between the brilliant and the unremarkable, the filmmaker’s body of work is a sensitive seesaw, ready to shift its weight at any given moment.
Disappearance at Clifton Hill is at-times intriguing and often stylish, marred by its cliched insistence on making the audience question the authenticity.
Videodrome’s feverish portrayal of the seductive allure and caustic bite of media indulgence and hyperreality remains to-the-minute.
Game of Death is a fun and gore-filled examination of horror and video game conventions that works well in its short runtime.
Greyhound passes by as a monotonous series of skirmishes that never feel that threatening, even when boats are exploding around them.
Inmate #1 is a powerful and poignant story with a fairy tale ending that will have you believing miracles really do come true.
Fisherman’s Friends eagerly invites its audience in and provides a worthwhile and heartwarming story that will have you humming along.
An over the top, aimless blunder of foolery, Dreamland is remarkably disastrous yet instantly forgetful.
Retrocausality has a lot of pieces that could make both an interesting and philosophical character study but it is not executed well.
Musanna Ahmed spoke with director Steve Markle about his film Shoot to Marry and why this documentary was more challenging to put together than his previous one.
Now available on Mubi, Ghost Town Anthology evokes the presence of a forgotten and bedeviled past buried underneath it.
Unfocused to the core, Capone will leave viewers with more questions than answers.
Castle In The Ground is undeniably effective in its portrayal of the opioid crisis, but loses itself in its hopeless narrative. Maria Lattila reviews.
Antrum: The Deadliest Film Ever Made is an entertaining, but largely empty exercise in metanarrative and nostalgia.