Canada
Denis Villeneuve brings Frank Herbert’s Dune – the best-selling science fiction novel of all time – to the silver screen.
A lo-fi narrative film that often feels like a documentary with its rambling dialogue and roving camera, Anne at 13,000 Ft soars.
Nadia, Butterfly showcases a humanism that hits at the quiet and unsensational moments of an athlete’s life and career coming to a halt.
Despite some predictable plotlines, it doesn’t take away from the quality, experience, and entertainment The Uninvited promises to its audience.
While it is less gory, especially in the film’s conclusion, it leaves a twist and an ending that speaks to the possibility of more films to come.
Referencing and reminiscent of horror films that have come before, See for Me does not live up to its inspirations.
Starring the remarkable young actor Émilie Bierre, Les Nôtres reminds us that the darkest and most deeply hidden of our secrets will always find a way out.
Funhouse wants to be seen as a clever take-down of violence and reality television but does not quite hit the mark in either area.
There are some fine performances and strong scenes here and there but the editing darts between so many stories that it’s just begging for a fan cut.
Shannon Walsh’s documentary: The Gig is Up, paints a simmering, sobering picture of the global gig economy.
The Oak Room brings light to the darkness of storytelling but at times this is not enough to stay invested in the story and its characters.
While Godzilla vs. Kong is by far the best installment of this rebooted franchise, the MonsterVerse could still learn a few lessons from its forerunners.
Slaxx offers plenty of fun and amusing gory moments with a heartfelt story showcasing the evils of the fashion industry.
While underdeveloped and sluggish in approach, Phil Sheerin’s The Winter Lake is a sedate, rustic thriller examining familial complexities.
As an action film, Chaos Walking works, it’s a fun popcorn flick, but It’s a pity most of these characters can’t stop talking.