Canada
Marco Porsia excavates something special with the subject of his latest rock inspired documentary, What You Could Not Visualize.
Through each other’s sympathetic eyes, in this winning, queer coming-of-age tale that still feels in a category all its own, two lonely women become queens.
BlackBerry is not a film that takes a radical departure from the form, but its mixture of comedy and workplace drama makes it delectable viewing.
Fans of Murakami’s inimitable style will be pleasantly amazed at how well Blind Willow, Sleeping Woman brings his magical world to life.
The perfect sequel to a requel, Scream VI is love letter to horror, to a franchise and to its fans, proving that not all stories are dead.
With the cast all giving fun performances and the visual effect creativity dialed up to eleven, you can’t help but cheer and clap.
Until Branches Bend’s lackluster attempt to craft tension and urgency leaves its audience uninvested and without curiosity for more.
Film, the Living Record of Our Memory shines a spotlight on these individuals and serves to rally for the importance of film archiving and preservation.
This film may be a remake of the 1981 classic but it creates its own identity, carving out its own place within the horror genre.
Several nymphomaniac women at an addiction recovery retreat experience different ways of coping with confronting their conditions.
A masterpiece, Door Mouse is a slick neo-noir that adds a lot to a genre that we don’t get enough of.
Alice, Darling could do with some whittling down, but many of the details make the film a needed testament to an under-explored experience.
Kyle Edward Ball’s Skinamarink is a truly singular experience, one that will leave you absolutely haunted.
The Silencing is an American thriller film from 2020 from Belgian director Robin Pront and starring Nikolaj Coster-Waldau.
For the last few decades, Dansereau has been toting Dream Life around to women’s studies classes in order for it to be seen.