Canada
I’m thankful for Seagrass because I’ve rarely felt so understood by a movie even as there are always more stories to tell.
While Gothika may not have stood the test of time, or have the most plausible horror narrative, it delivers an eerie watch.
Once the blood begins to flow, Saw X tears ahead with brutal, surgical precision and typically excellent practical effects.
The Origin of Evil is a slow-burning, deliciously dark, and comical thriller with layers to savor.
A Guide to Becoming an Elm tree is one of the must see films of this year’s Fantastic Fest.
The Power of the Dog unfolds deliberately, and purposefully, revealing beauty in the unconventional corners of the narrative and terror in the silence.
Hell of a Summer is a campy blast of a film, blending the nostalgia of 80s camp slashers with coming-of-age teen comedies.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
I Like Movies manages to strum all the right cords in a truly unique celebration of cinema itself.
While nowhere near as successful as the Conjuring franchise in popularity or quality, The Haunting in Connecticut proves itself entertaining.
Despite a rocky second act, Peppergrass still manages to be a successful thriller.
If you like the stories of Stephen King or you just like to be scared, this is something you should really be checking out.
The End of Sex blends sex comedy with a more traditional romcom, which sometimes works but the humor doesn’t always land.
Marco Porsia excavates something special with the subject of his latest rock inspired documentary, What You Could Not Visualize.