Canada
Devil’s Gate frustratingly flirts with greatness- however, director Clay Staub’s genre mash-up is too uneven to sustain the entirety of its running time.
Perfect Bid doesn’t overstay its welcome, it’s warmly presented, and offers up some interesting behind-the-scenes insights into one of the world’s most famous game shows.
The Breadwinner’s captivating aesthetic, heroic protagonist, moments of levity and weighty themes aid in drawing in youngsters and teaching them about the hardships faced by their peers on the other side of the world.
With a story full of surprising twists and turns, a canvas of dazzling onscreen visuals, and a career-best performance from Middleditch, Entanglement succeeds on several tiers.
Fear Us Women takes us on a journey alongside the all-female Kurdish armed forces fighting ISIS, and it’s a gut-wrenching first-hand account.
Sweet Virginia is a gripping, atmospheric movie, with stellar acting and a characterful script who’s only fault is it is not long enough.
Suck It Up admirably attempts to tell a story with flawed women at its centre, yet sadly falls back on clichés and stereotypes at every turn.
Jay Baruchel steps behind the camera for cult sports comedy sequel Goon: Last Of The Enforcers, and forgets what makes the original special.
Blade Runner 2049 is a blockbuster with brains, heart and an abundance of style, that will certainly reward repeat viewings.
The documentary The Apology tells the story of three Asian women whose lives have been turned upside down by the trauma of sexual slavery.
Cardinals is a tense and subtly effective thriller set in small-town Canada, bolstered by strong performances and complex themes.
The Passion of Augustine offers glimpses into life before womanhood sets in and all the growing pains that come with this journey.
The Void can’t make its ideas fully blossom. Regardless, it always feels good to see filmmakers succeed in creating the work they wanted.
War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.
The Sabbatical isn’t your typical midlife crisis film – it is highly unpredictable in the best sense of the word.