Canada
Film Inquiry soke with director Sook-Yin Lee really for the TIFF film Paying For it.
On this TIFF report, Kristy Strouse reviews The Mother and the Bear and Shepherds – two unforgettable films on a path to self discovery.
Matt and Mara is the kind of film where, on the surface, it might seem that nothing is happening, but even the smallest moments can impact.
An unexpected and comical disclosure of one couple’s path, Paying For it leaves a lingering impression.
Wala has crafted a fine story, and impresses in his feature film debut with the TIFF film: Shook.
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
Red Rooms is hypnotic, eerie, enticing, and undeniably repulsive, a procedural with the stifling rhythms of an addiction story or a dream.
Forty-five years after Alien, cat people finally have a new horror movie with Michael Sarnoski’s “A Quiet Place: Day One.”
Overall, Longlegs is well-directed, artistically apt, and really, really suspenseful.
From Tribeca Film Festival 2024, Soham Gadre takes a look at CHAMPIONS OF THE GOLDEN VALLEY, BAM BAM: THE SISTER NANCY STORY & THE WEEKEND!
Curl Power has a deep awareness of the bonds of sisterhood that exist between the girls, yet is clever enough to also understand their individuality.
A timely horror satire chock full of gore and guffaws, Humane entertains in spite of its flaws.
The Burning Season is an intricately told story of secrets, guilt, and lust, anchored by great chemistry between its co-stars, and a satisfying script.
While occasionally veering into an overly complicated and opaque narrative structure, The G is a fun genre thriller with an incredible performance.
I’m thankful for Seagrass because I’ve rarely felt so understood by a movie even as there are always more stories to tell.