Bradley Cooper
The Guardians of the Galaxy Volume 3 is easily the best Marvel movie since End Game, with a special, emotional send-off.
Still reeling from the loss of Gamora, Peter Quill rallies his team to defend the universe and one of their own – a mission that could mean the end.
Nightmare Alley is a tense thriller that will be sure to please audiences if they can get past the film’s length, but it still had potential to be more.
While the movie itself is not without its bumps , there is always a new adventure, a new gag, a new moment of blissful sweetness just around the corner.
An ambitious carny with a talent for manipulating people with a few well-chosen words hooks up with a female psychiatrist who is even more dangerous.
Alana Kane and Gary Valentine grow up, run around and fall in love in California’s San Fernando Valley in the 1970s.
Bradley Cooper’s take on A Star is Born is more than a tragic love story: it’s a powerful depiction of being the person next to an addict.
This week in the Video Dispatches, we cover the home video releases of A Star Is Born, Diamonds of the Night (1964) and Brewster McCloud (1970).
The Mule is a worthy callback to Clint Eastwood’s career, playing a 90-year-old drug mule that hopes to make up for his past shortcomings.
In The Mule, a 90-year-old horticulturist and WWII veteran is caught transporting $3 million worth of cocaine through Michigan for a Mexican drug cartel.
A Star is Born announces Bradley Cooper as the next great actor-director, but Lady Gaga is by far the beating heart of his directorial debut.
In this report from Toronto International Film Festival, we talk about Melissa McCarthy’s latest, Bradley Cooper’s A Star is Born, and more!
In A Star Is Born, a musician helps a young singer and actress find fame, even as age and alcoholism send his own career into a downward spiral.
Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up for its pitfalls.
Even though he has recently made a switch from being a controversially quirky indie darling to a critically adored awards favourite, David O. Russell’s storytelling obsessions have always been the same. He has always been drawn to stories about dysfunctional families and the things that either drive them apart, or bind them closer together, varying from extreme to extreme.