Brad Pitt
F1 follows a Formula One driver who comes out of retirement to mentor and team with a younger driver.
An irresistible experience loaded with vulgarity, passion, and energy, Babylon is one big party of an intoxicating cinema explosion.
A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of uridled decadence and depravity.
Five assassins aboard a fast-moving bullet train find out their missions have something in common.
The underfunding of Minari is hardly a controversy, but outside of a few Twitter threads, nobody is discussing it.
We look back at David Ayer’s 2014 war film Fury, and the deeper themes of anger mixed with sadness expressed throughout.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
While Ad Astra is no doubt visually stimulating, ultimately Gray’s film is a meandering lifeless existential entity that overly emphasises on simplicity.
Tarantino isn’t afraid to reshape and play with the truth, making Once Upon a Time in Hollywood one of his boldest and bravest to date.
A baseball film almost without baseball, Moneyball is a revolutionary sports film. Lewis Punton takes a closer look at the conversations that fuel the plot.
In Ad Astra, an astronaut travels to the outer edges of the solar system to find his father and unravel a mystery that threatens the survival of our planet.
In Once Upon a Time in Hollywood, a faded TV actor and his stunt double strive to achieve fame and success in the film industry.
In the age of toxic masculinity at its most unbearably malignant, Fight Club is still an effective parody of the spread of hate between generations.
Twelve Monkeys is Terry Gilliam’s dystopian vision of time travel, in which everything that happens is inevitable, probing into questions of the meaning and purpose of life.