body horror
Both The Substance and The Last Showgirl evaluate mortality by leaning on their respective stars’ relationship with celebrity in real life.
Divinity, written and directed by Eddie Alcazar, is a compelling sci-fi body horror, even though…
Director David Bruckner blends the bombast of Hellraiser into today’s horror mode of choice for Hulu’s 2022 reboot of the franchise.
Videodrome’s feverish portrayal of the seductive allure and caustic bite of media indulgence and hyperreality remains to-the-minute.
The Soska Sisters film Rabid honors the basic premise of David Cronenberg’s original while meticulously crafting an identify of its own.
Black Swan analyzes the pressure of perfection that is forced upon women by society, highlighting its long-lasting detrimental effects.
Darren Aronofsky’s Black Swan and Luca Guadagnino’s reimagining of Suspiria reinvigorate the very concept of body horror.
Dominic Brunt’s horror comedy Attack of the Adult Babies is equally versed in British toilet humour and the classics of the horror genre.
In this in-depth analysis of Julia Ducournau’s Raw, Sophia touches on themes of sexuality, biblical references, and BDSM, among others.
The Void can’t make its ideas fully blossom. Regardless, it always feels good to see filmmakers succeed in creating the work they wanted.
Our next installment of Take Two sees us examine David Lynch’s divisive debut feature about strange dreams and deformed children: Eraserhead.