biopic
“Young Woman and the Sea” proves it could be a serviceable movie but not strong enough to escape the routine assembly of the genre’s trappings.
There’s a lot of hard work under the hood of Gran Turismo that narrowly crosses the finish line of a compelling racing film.
BlackBerry is not a film that takes a radical departure from the form, but its mixture of comedy and workplace drama makes it delectable viewing.
Everyone involved displays an appreciation to be on the screen telling this wacky, poignant, and compelling story, making this a total recommendation.
In The King of Laughter, Toni Servillo portrays iconic Italian actor and playwright Eduardo Scarpetta…
In the latest report from TIFF 2021, Wilson Kwong reviews the unique biopics films Spencer and The Eyes of Tammy Faye.
A summary of the films and screenwriting journey of Scott Alexander and Larry Karaszewski, who gave the world Ed Wood and Man on the Moon.
The United States vs. Billie Holiday is multilayered and nuanced in its messaging, brought to life on the strong performance of Andra Day.
The Journey Is the Destination is vibrant, violent, and sad, but it celebrates Dan Eldon’s exceptional life well.
Come for the car races in Ford v Ferrari, and some fine performances by Matt Damon and Christian Bale, but don’t expect to take too much away from it.
We delve into biopics, specifically how the mundaneness of the stories of these real people actually do them a disservice.
The White Crow boasts an excellent lead performance from Oleg Ivenko, but the central character remains cold and distant throughout.
Between last year’s successful Bohemian Rhapsody and the upcoming Rocketman, music biopics seem to be all the current rage in Hollywood.
Adam McKay’s Vice is at its best when it mixes information with entertainment and leaves out all of the preaching.
Sarah Paulson fits the criteria of great actors. She has range and stamina, two incredibly important things to have in Hollywood.