biography
The King may not be Michôd’s best by any means, but with strong performances and cinematography, it’s a strong effort nonetheless.
Adults In The Room is a hard sell, failing to deliver an intriguing narrative despite being about the political cunning behind the Greek financial bailout.
Brian Banks tries so hard to be deep and meaningful that it ends up falling flat and feeling corny.
Mr. Jones is a harsh, masterful film about being wary of the lies being fed to you by your media and your government.
Certainly an ode to Jay Maisel’s life and career, Jay Myself is a celebration, remembering the life and work he created in The Bank.
The Current War admirably attempts to be something bigger than it ultimately is, with its A-list cast and interesting-but-misfiring style.
Skin manages a few gripping moments thanks to its cast but can’t string them together into something meaningful.
Pavarotti is at times hard to watch, but ever so entertaining and explosive exploring one of the most captivating and astonishing artists of the 20th century.
A baseball film almost without baseball, Moneyball is a revolutionary sports film. Lewis Punton takes a closer look at the conversations that fuel the plot.
Rather than looking skyward, Armstrong awkwardly looks at its feet, the film eclipsed by other efforts both fictional and factual.
Varda by Agnes is a disappointing finale to a remarkable career, a feature length beginner’s guide to her back catalogue for new fans only.
Leto finds a balance between the reality of early rock under a communist regime and the fantasy rockers imagined.
With musical biopics typically presented as Oscar bait or actors doing an impression for empty accolades, here are 10 music biopics that are actually great.
Fuck You All: The Uwe Boll Story is a film that is as direct as its title, and is an interesting insight into what makes a man like Uwe Bill tick.
When They See Us may be Ava DuVernay’s finest work, telling a deeply human story about the way people of color have been and continue to be seen.