biography
It may take certain liberties with the truth, but Professor Marston and the Wonder Women is still an enjoyable, inspirational biopic.
Loving Vincent is a stunning work of art, with every frame a Van Gogh-style painting, and it’s intriguing on a narrative level as well.
Only the Brave is more concerned with its traditional gender politics than making any grander statement on man’s relationship with nature.
Tom of Finland feels like two disparate films brought together, and only Pekka Strang’s strong performance saves it from being a total wash.
Goodbye Christopher Robin has some redeeming value to it, but it is ultimately too painful for people who love Winnie the Pooh.
Emma Stone shines as tennis player Billie Jean King in Battle of the Sexes, which reminds us of how little progress we’ve made since the 70s.
Through strong performances and solid story, Borg McEnroe is a thrilling recreation of the iconic Wimbledon final.
Chavela is a documentary that is an introduction to the legendary ranchera singer as well as a fond remembrance for those who knew her well.
I Was a Dreamer is a mostly successful biographical film about a man seeking redemption, unique for having its lead character play himself.
Directed by Angelina Jolie, First They Killed My Father is a testament to the craft of film to tell heartbreaking, devastating stories.
Stronger is a resolute, powerful, and personal film that applies to the masses of the world, not just to Americans.
Portraying a real figure is often considered easier than acting as a fictional character, but these examples prove that’s a misconception.
Final Portrait is filled with acute vigor, seamlessly-interwoven humor, impeccable historical accuracy, and superb acting that combine for another Tucci gem.
Despite a talented cast and crew, The Glass Castle ultimately fails as an adaptation of the famous memoir due to some questionable decisions.
England Is Mine is a blend of fact and fiction, delving into the early life of The Smiths frontman Steven Morrissey.