Belgium
Disco Boy doesn’t quite work, though thanks to some quality craftsmanship and the always-fantastic Franz Rogowski, it does come close.
Capturing the beauty of everyday life, Here is a beautiful exploration of humanity and our quest for understanding.
King On Screen is one hell of a trip down Stephen King cinema memory lane.
Wilson Kwong dives into two films that are interesting examples of dramatic French cinema with clear commercial appeal.
Omen is an undeniably beautiful film that is a prime showcase for Baloji’s talents as a visual storyteller.
Claude Schmitz’s The Other Laurens may not be the most intense thriller at times, its slow-burn mystery will prove itself alluring and transfixing.
While the lack of resolution is disappointing for the audience it doesn’t make The Night of the 12th any less powerful.
There are many reads you could take from Vincent Must Die and how its theme speaks to you will be your own experience.
Inside was one of those rare gems that I never expect to come across but when I do I like to scream about it from the rooftops.
La Civil is ultimately an uneven crime thriller carried by an exceptional actress, but its subject matter is so important that one can overlook.
My Sailor, My Love is not quite a romance, but rather a slow examination of the wounds we inflict on each other and the difficulties of moving past wounds.
In our latest report from the 2022 Heartland International Film Festival, Emily Wheeler reviews Dear Zoe, Corsage, Close and Me Little Me!
R.M.N. is the work of an artist with a rare gift for transmogrifying culture, politics, and ideology into human drama.
Black Box as a whole will keep viewers engrossed and unsure, its unpredictability and weaving mystery an entertaining venture.
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.