based on true events
Woman of The Hour did an amazing job of capturing a time and place while still keeping it relevant for today’s world.
Killers of the Flower Moon is both a faithful adaptation and a masterful epic from Martin Scorsese. It is authentic, respectful, and informative, exuding the talents of those both in front of and behind the screen.
Overall it may fall short, but In the Realm of the Senses is a beautiful-looking film with a calming yet haunting score that touches on some urgent themes.
Vital, raw and vulnerable, Nadine Crocker’s Continue is a bit of catharsis you didn’t know you needed.
Despite Nat Wolff’s outstanding performance, those interseted in The Kill Team are better off sticking with the documentary.
Stockholm is successful in doing the impossible – making the viewer understand and even empathize with the interpersonal connection between a hostage and her captor, and vice versa.
A promising start quickly descends into troubling formula in The Best of Enemies, wasting two excellent lead performances and a potentially interesting story.
If you look past The Highwaymen’s initial slow burn, you’ll at least find solace in its performances and devestating ending.
I Am the Night is a thrill ride that not only tells Fauna Hodel’s incredible story, but also pays homage to the LA noirs of the past.
Outlaw King is ambitious, striving for originality and historical accuracy, but overall fails to bring much to the table in terms of grounding its characters.
Dark Night is based on the events of the Aurora theater shooting; with a detached aesthetic perspective, it is a compelling yet tragic film.
Patriots Day is a memoir to the tragic events of the 2013 Boston Marathon Bombing, brought to screen both tactfully and honorably.
In July of 1974, television reporter Christine Chubbuck committed suicide on a live news broadcast. This is not a spoiler for Christine, as the film concentrates on the tragic events that led to its title character’s fall.