based on comic
Even with a few decent set-pieces and exceptional acting from the ensemble, The Kitchen is not the adaptation we deserve.
Shazam! is a walk-off grand slam in extra innings, feeling like a statement from a studio and director working so hard to finally get it all right.
“A Midwinter’s Tale” was a solid episode, packed with holiday cheer, ill-willed entities, and potential demonic tragedies, making it one of the best in the series thus far.
For those in love with the Archie comics, the original Sabrina and Riverdale, Chilling Adventures of Sabrina is sure to please, with its reimagining providing a little something for everyone.
Venom is a film with a myriad of problems, but they’re forgiven because of its affable undercutting of what you expect from superhero films.
In this guide, we introduce you to the world of Marvel across four distinctive yet interconnected TV series on Netflix. It’s a journey worth taking.
Zac Hestand takes a look back at the comic movie classic Batman Returns and how its overload of villains spawned an industry standard.
We examine the motives of Thanos in Avengers: Infinity War, and how they relate in a familiar way to the traditional superhero narrative.
Away from the hype and the Twitter hubbub and the behind the scenes stories, Fantastic Four is still a very bad movie. Hopefully, it hasn’t put the final nail in the coffin of perspective Fantastic Four adaptations.
With his hundredth film, director Takashi Miike shows no signs of slowing down, with another fantastic, blood-soaked cinematic treat.
In the latest of our Take Two series, we reexamine Batman & Robin, the sequel we watched so you don’t have to.
Though visually enticing, Valerian and the City of a Thousand Planets is bogged down by a bloated script and poorly written characters.