based on book
Crooked House was one of Agatha Christie’s best novels- so it’s a treat to finally see this subversive work translated to the big screen.
With a weak and unfocused plot, Todd Haynes’s Wonderstruck feels like a love letter that isn’t quite sure who it’s addressing.
Wonder may have all the trappings of passable family-friendly fare, but it is jumbled, unfocused, and far too unbelievably sappy.
Mudbound is a gorgeous and affecting film, regarding themes of racism and the after effects of war in 1950s Mississippi.
1922 is a movie experience that does its due diligence to fester, just like the body that resides at the center of Wilfred’s shame.
A reworking of The Little Mermaid, Agnieszka Smoczynska’s The Lure is quite a unique and often spectacular cinematic treat.
The skillful assembly of wondrous never-before-seen footage makes Jane the definitive tribute to the icon’s life and work.
The Snowman, though with talent behind its production, ended up being an unfortunately jumbled and incoherent mess of a film.
Mike Flanagan’s Gerald’s Game, though not quite as dark as its source material, still showcases his talent for immersive horror film-making.
Last Rampage is a gripping crime thriller and a delight for true crime film fans that examines the strong influence and bonds within family.
The film adaptations only scratched the surface of JK Rowling’s world- the Harry Potter franchise needs a Game of Thrones style TV reboot.
Despite a winning performance from Lola Kirke, it looks like Fallen’s destiny is to be assigned to the scrapheap of YA movie history.
The Limehouse Golem finds ways to toy with you at every turn, making it entertaining viewing despite its seemingly conventional premise.
Lady Macbeth pokes at the romanticized perspective of Victorian-set films, becoming more akin to a macabre neo-noir.
Despite a talented cast and crew, The Glass Castle ultimately fails as an adaptation of the famous memoir due to some questionable decisions.