based on a book
The Ballad of Songbirds and Snakes and the rising popularity of YA, especially on TikTok, show that there is still a bright future ahead for YA adaptations.
Killers of the Flower Moon showcases everything one would expect in a Martin Scorsese movie. In this case, it is both a blessing and a curse.
Known as Universal’s “Super Jewel” of 1923, “The Hunchback of Notre Dame” was a smash hit, catapulting Lon Chaney to full-star status.
It has been 90 years since the release of The Invisible Man and much of the film holds true in spite of its age.
The Most Dangerous Game proves itself to be a classic film that goes beyond the staples of film infancy.
At its core, Where the Crawdads Sing is an examination of abandonment and loneliness, as well as survival within the unrelenting naturalist circle of life.
The Midnight Sky is another example of something that could’ve been a complex and emotionally affecting work of science-fiction, but quickly collapses.
French Exit is one of the most distinctive films of the year, delivering witty dialogue, nuanced performances and a resounding depiction of acceptance.
MLK/FBI is damning of the behaviors of the FBI and its treatment of not only the leader of a revolution and the deeply rooted racism that still lingers.
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
Frances Maurer examines the odd phenomenon of children’s fantasy stories being reduced to nothing more than a dream.
Lara Jean Covey is back and more relationship trouble is ahead for her, but the sequel feels like a missed opportunity. Maria Lattila reviews.
Already considered by many as the worst film of all time, Holmes & Watson is likely to make even the least demanding cinema-goers feel as if they’ve had their intelligence insulted.
If you have children who are itching for a cinema trip during the spooky season, there have been much worse offerings than Goosebumps 2 in the past.
Despite Baker’s adept directional skills, and solid performances from the whole cast, Breath feels inconsequential, and the sombre visual and thematic tone feels like every other Australian social realist drama.