Barbara Crampton
It’s wild. It’s weird. Joe Lynch has crafted one hell of a Lovecraftian thrill ride with Suitable Flesh.
With a multidimensional backcatalog, it’s difficult to pigeon-hole eccentric body horror director Stuart Gordon. We’ve given it our best shot
Despite a premise which would beckon horror fans and cinephiles alike, Death House doesn’t deliver. Its many references and horror icons don’t contribute much to a story that is far too caught up in itself to be any fun.