ballet
Director Jacqui Morris tries to escape the staleness of adaptating of A Christmas Carol by presenting the story as a modern dance dreamscape.
There is so much going on in The Accompanist that none of the elements ever really come together to form a cohesive story.
While it feels a bit unfinished and undercooked, If The Dancer Dances is a great start in unpacking everything that Merce Cunningham represented.
The White Crow boasts an excellent lead performance from Oleg Ivenko, but the central character remains cold and distant throughout.
Darren Aronofsky’s Black Swan and Luca Guadagnino’s reimagining of Suspiria reinvigorate the very concept of body horror.
Red Sparrow is solidly engaging, a blistering and intense film with Jennifer Lawrence’s skill and Francis Lawrence’s well-crafted atmosphere.
If viewed out of the context of recent events, Rebels on Pointe is an enjoyable and inspirational look inside the world of a unique group of artists that will make you eager to take in one of their performances in real life as soon as possible.
In Restless Creature, we follow nearly three decades of Wendy Whelan’s career as a ballerina with the New York City Ballet.
As one of his final curtain calls, Limelight is a sterling reminder of Charlie Chaplin’s contributions to culture and the art of cinema.
Back in 2013, a prestigious ballet director from the Bolshoi Theater named Sergei Filin was attacked outside his house, and acid was thrown into his face. He suffered third degree burns all over his face and down his neck and was left blind in one eye. After an investigation, it was discovered that a dancer of the Bolshoi paid the perpetrator; the motive was in reference to the casting of Swan Lake in which Filin was responsible.