Austria

BACK TO THE FATHERLAND: A Shallow Glimpse At Deep Topics
BACK TO THE FATHERLAND: A Shallow Glimpse At Deep Topics

Back to the Fatherland looks at Israelis who have moved to Austria despite the historical hardships. Intriguing, yet the execution doesn’t do it justice.

TEHRAN TABOO: A Courageous And Sympathetic Exploration of Inequality In Contemporary Iran
TEHRAN TABOO: A Sympathetic Exploration Of Inequality In Contemporary Iran

Rotoscoping hasn’t really been used in this way before. True, this feature from German-Iranian animator…

GLOSSARY OF BROKEN DREAMS: A Frustrating, Fatiguing Polemic
GLOSSARY OF BROKEN DREAMS: A Frustrating, Fatiguing Polemic

With the world getting stranger and scarier by the day, Glossary Of Broken Dreams could have been a useful resource — a helpful primer when current events appear to be beyond comprehension. But it is not that documentary.

Tribeca Film Festival: Interview with Justin P. Lange and Nadia Alexander of THE DARK
Tribeca Film Festival: THE DARK: A New Terror Lurks In These Woods

Premiering at this year’s Tribeca Film Festival, Justin P. Lange’s The Dark is an ingenious reinvention of the zombie genre, bringing a new rage monster to the cinematic screen and exhibiting what anger and fear truly is. This is a film you will not soon be forgetting.

SXSW Review: FIELD GUIDE TO EVIL: Loses Its Way, But Still Has Fun
SXSW Review: FIELD GUIDE TO EVIL: Loses Its Way, But Still Has Fun

Field Guide to Evil will likely please genre aficionados and horror buffs, but on the whole, its lack of tonal cohesion will leave others underwhelmed.

HAPPY END: Michael Haneke Turns to Self Parody in this Underwhelming Family Drama
HAPPY END: Michael Haneke Turns To Self Parody In This Underwhelming Family Drama

Happy End is a disappointing effort by Michael Haneke, displaying almost none of his visual appeal, prominent themes, or strong performances.

GOODNIGHT MOMMY: Hello Nightmares
GOODNIGHT MOMMY: Hello Nightmares

Though with a contrived ending, Goodnight Mommy is a mostly intriguing Austrian horror film that plays on inborn, relatable fears.

COME, SWEET DEATH: A Grim, Yet Comedic Look At Vienna
COME, SWEET DEATH: A Grim, Yet Comedic Look At Vienna

Come, Sweet Death is an Austrian film from 2000 that, though grim and darkly funny, might be the perfect representation of the country.

The Beginner’s Guide to Foreign Film: 15 Must-Sees

There are a million great films outside the U.S, it’s just you haven’t seen them. Good fortune smiles on you today because I’m here to show 15 foreign flicks you should have seen a long time ago.