Austria
Sisi & I is a worthwhile look at her life through the eyes of another, even as it suffers from comparisons to similar work.
Ultimately, though the package may feel familiar, The Devil’s Bath still has cogent ideas to share.
Club Zero is often disturbing and always engaging, but it’s certainly not for everyone.
Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.
In our latest report from the 2022 Heartland International Film Festival, Emily Wheeler reviews Dear Zoe, Corsage, Close and Me Little Me!
Hinterland’s high concept is let down by a weak script that doesn’t make the most of the film’s intriguing setting and talented cast.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
A beautiful film that reminds us that the personal is always political, Great Freedom will fill your heart even as it breaks it.
The warped claustrophobia of Masking Threshold is wholly original, making it one of the best horror films of the year.
Tatort: Streets of Berlin is a crime show with collaborative efforts across regional television studios in Germany, Switzerland, and Austria.
It is an unapologetically quirky indie with a big heart and some very valid points to make about the insidiousness of fascism.
Despite great moments of tension and a solid Joseph Gordon-Levitt performance, 7500 is a film of unfulfilled potential.
By establishing a web of interesting plot threads, and failing to engage with any of them in a memorable way, Little Joe ends up feeling like a severe missed opportunity.
In years past, I recommended great horror movies from around the world. Find part one…