Australia
Zelos is definitely not your typical romantic comedy and it’s an extremely complicated film, full of obstacles that a majority of people can relate to.
Storm Boy, an adaptation of a beloved 70’s Australian children’s book, succumbs to the powers of its own nostalgia.
Nightmare Cinema is the perfect anthology movie, with each short containing enough wild ideas and moments to hook in an audience no matter what kind of horror they like.
We spoke with Australian director Heath Davis about his new comedy Book Week, the state of the Australian film industry and how to get younger audiences to engage with classic books and movies.
Monster Fest comes to Melbourne’s Cinema Nova from Thursday November 22nd to November 25th for Monster Fest VII: The Homecoming.
Australian comedy Book Week provides an intriguing look at a man in peril and examines the place of literature in a contemporary context.
Richard Todd’s Dying to Live is a sincere portrait of the state of Australian organ donation, a weirdly taboo topic with the highest of stakes.
Ben Ferris’ experimental docu-drama hybrid 57 Lawson has aged as an important archive of a brief period of time, a lyrical tribute to Australia’s often ignored lower class population.
Australian writer-director Kosta Nikas’ Sacred Heart is a mature, thoughtful, and dramatic piece of filmmaking for a first-time feature director.
In this report from Western Australia’s CinefestOz, we cover everything from budget sci-fi to LGBTQ documentaries.
Failing to push boundries, Ladies in Black is the definition of someone delivering the bare minimum in film direction, where the simple monotony of Aussie contempories doesnt cut it anymore.
Alex Lines recaps some of the films he was able to see at the CinefestOz 2018 Film Festival in southern Western Australia: Jirga, 1% and The Merger.
Vincent Amouroux and Alex Barry’s Living Universe is an encouraging sign that science is progressing in ways which continue to benefit humanity as a whole.
I Used to Be Normal is a heartwarming reaffirmation of the power of fandom, a heartwarming, non-judgemental documentary that’s not just for boyband fans.
For MIFF Week One, Alex Lines reviews several films he was able to see, including Agnieszka Smoczynska’s new film, Matteo Garrone’s Dogman, and more.