Australia
Sean Fallon spoke with director and writer Daniel J. Phillips about his film Awoken, his influences and his next projects.
The Dry has just enough mystery and intrigue lingering at every begrimed frame to keep the audiences invested.
If you need a new holiday staple to fill your cinephile holiday binge, look no further than Better Watch Out.
High Ground passes every landmark of the proliferating Meat Pie Western but is unable to escape the calculable cliches.
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
Alex Lines spoke with the festival programmer of the JFF 2020 online festival, Susan Bui.
Ultimately, it is better to take the glorification of a powerful figure with a grain of salt, rather than a spoonful of sugar.
![Giveaway: Win Tickets To RAMS [Australia Only]](https://www.filminquiry.com/wp-content/uploads/2020/10/D5541310-CC24-4C19-AE00-856F9578CCFD-740x600.jpeg)
Thanks to our friends at Roadshow Films, Film Inquiry is happy to announce that we’ve got 5 in-season double passes to give away for Rams!
Alex Lines had the chance to talk with Rams director Jeremy Sims about adapting the Icelandic drama.
Slim & I, one of the rare Australian features to sneak back into cinemas post-quarantine, delivers the history of Dusty Slim with a little cunning twist.
Alex Lines reports from MIFF 2020 with three films: Last and First Men, Anne at 13,000 FT, and Dark City Beneath the Beat.
Overall, Blood Vessel isn’t going to change horror forever, but it is entertaining, especially the first hour.
Black Water: Abyss starts strong in its horror, but too quickly, the film devolves into a story of drama with a background of splashing water.
Stateless sadly ends up robbing itself of an opportunity to be a show that is truly remarkable and also important.
We attend a roundtable with director Natalie Erika James, cast members Robyn Nevin, Emily Mortimer, and Bella Heathcote to dive deeper into Relic.