art
Musanna Ahmed attended this year’s Sheffield Doc/Fest and shares his review for A Northern Soul and his interview with director Sean McAllister.
While Treasures from the Wreck of the Unbelievable may be a wreck of its own, there are hidden treasures within that do deserve discovery.
Andy Warhol is often considered a pioneer of the “anti-film” or cinematic nihilism, though his films themselves leave much to be desired.
Dorota Kobiela and Hugh Welchman, the directors of Academy Award nominated animation Loving Vincent, spoke to Film Inquiry’s Nathan Osborne about the seven year process to bring their unique biopic to the big screen.
If viewed out of the context of recent events, Rebels on Pointe is an enjoyable and inspirational look inside the world of a unique group of artists that will make you eager to take in one of their performances in real life as soon as possible.
Matthew Roe introduces Anarchic Cinema, the beginning of a new series focusing on the evolution of art from the obvious to the complex.
Manifesto, based on an art exhibit, contains an incredible multi-role performance by Cate Blanchett, but it doesn’t add up to a coherent film.
Sophia Cowley spoke with Catherine Curtin, the lovely actress we know from Orange Is The New Black, Insecure and her upcoming film, Gold Star.
Though not every element of The Square works, and frequently gets heavy-handed, it’s hard not to appreciate Ruben Östlund’s sense of humor.
Loving Vincent is a stunning work of art, with every frame a Van Gogh-style painting, and it’s intriguing on a narrative level as well.
Amir Bar-Lev’s 2007 documentary My Kid Could Paint That isn’t about the real life art world scandal; it’s an exploration of the author’s irrelevancy.
Final Portrait is filled with acute vigor, seamlessly-interwoven humor, impeccable historical accuracy, and superb acting that combine for another Tucci gem.
In Restless Creature, we follow nearly three decades of Wendy Whelan’s career as a ballerina with the New York City Ballet.
Maudie works due to the central performance by Sally Hawkins, though the troubled relationship portrayed is occasionally too downtrodden.
Afterimage is the swan song of legendary director Andrzej Wajda, depicting the artist Władysław Strzemiński during Stalinist-era Poland.