Armie Hammer
The Birth of a Nation is often relentlessly dark and bitter, and as a result is only partly a success at delivering its compelling message.
Even though he’s often stereotyped as solely a director of inferior British gangster films, based on his first two releases Lock, Stock and Two Smoking Barrels and Snatch, Guy Ritchie is actually more of an experimental director than you may initially realise. Even though his early films were successful and enjoyable guilty pleasures, Ritchie had something of an insatiable need to be taken seriously, looking towards the European arthouse for inspiration. His third feature Swept Away, starring his then wife Madonna, was a remake of a satirical 1974 Italian film not widely known to international audiences.