Anthony Mackie
Sam Wilson, who’s officially taken up the mantle of Captain America, finds himself in the middle of an international incident.
In a transformative paranoia and confined space, The Woman in the Window may not be the best remake of a classic tale, but it is far from the worst.
Agoraphobic Dr. Anna Fox witnesses something she shouldn’t while keeping tabs on the seemingly picture-perfect Russell family, that lives across the way.
In the near future, a drone pilot sent into a war zone finds himself paired up with a top-secret android officer on a mission to stop a nuclear attack.
While Synchronic is not the deep and pensive film it attempts to be, it is still an enjoyable film that will entertain.
Two New Orleans paramedics’ lives are ripped apart after they encounter a series of horrific deaths linked to a designer drug with bizarre, otherworldly effects.
Altered Carbon season 2 may not be exactly what season 1 seemed to promise, but in many ways, that’s a good thing.
For all of its admirable intentions, the film’s flimsy storytelling does a disservice to Seberg’s legacy.
While some viewers could argue this Point Blank remake as passable entertainment, even at 80 minutes, your time is best spent elsewhere.
The 5th season of Black Mirror is satisfying, but never reaches Charlie Brooker’s best work. Bree Duwin reviews.
A forced romance, lackluster execution, and a tendency to pander to its audience makes IO come up far shorter than it otherwise could’ve been.
In Miss Bala, a woman finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime.
Detroit to be an eye-opening, courageous piece of film whose subject manner is a timely reminder of our lack of societal change.
Even though he hails from a nation renowned for its take on exploitation cinema, director John Hillcoat has repeatedly proven himself to be far more interested with the archetypes of American genre films. His international breakthrough feature, 2006’s The Proposition, was the perfect marriage of the sensibilities of Ozploitation and the most hard-boiled Westerns; for a country with no major cinema heritage, it suggested Hillcoat was a director who could put his nation firmly on the world cinema map. Instead of continuing this distinctive subversion of genre with his subsequent films, Hillcoat has become increasingly formulaic.
“Dulce et decorum est pro patria mori” – Horace “It is sweet and right to die for one’s country”. Most famously, and aptly, used by the World War I era poet Wilfred Owen in his poem, “Dulce Et Decorum Est-,” about knock kneed soldiers slogging through dirt and grime within dangerous trenches on the European front. The quote is haunting in both Owen’s and Horace’s context, even if it also belies a satirical edge.