anthology
With Sunfish (& Other Stories on Green Lake), we have a Sundance newcomer in Sierra…
Well, like so many of these director anthologies, Six from Paris suffers from the flippant transparency that’s all too common with this informal subgenre.
Despite its many strengths and successes, Education was the only Small Axe film that left me wanting more.
Alex Wheatle is yet another strong showing from Steve McQueen and company, and one that feels more personal than the rest.
The passion of McQueen and his artistic collaborators for telling these stories shines through in every frame.
A Night of Horror: Nightmare Radio is a horror anthology curated by Nicolás Onetti and Luciano Onetti. The film consists of horror shorts made between 2012 and 2017.
Now available on Mubi, Ghost Town Anthology evokes the presence of a forgotten and bedeviled past buried underneath it.
When the show digs deep into its examination of masculinity and male emotions, The Sinner remains a standout like no other crime show on TV right now.
The second season of Castle Rock has concluded, and this dynamic anthology series went out on an intriguing note: a whimper more than a boom.
A tremendous cast and creative team can’t help Modern Love from feeling a bit undercooked.
Love, Death & Robots was intended for a very niche audience, and for them it’ll prove a masterfully-crafted acid trip that makes for a cathartic experience.
A haphazard concoction of cliches with a sugary sweet coating, Berlin, I Love You lacks any of the qualities that make the titular city so special.
Nightmare Cinema is the perfect anthology movie, with each short containing enough wild ideas and moments to hook in an audience no matter what kind of horror they like.
We spoke with David Ian McKendry, director of All the Creatures Were Stirring, about why the genres of Christmas and horror work so well together.
Thanks to its inventiveness, effective execution and originality, All the Creatures Were Stirring is bound to be another Christmas horror classic.