animation
Stephanie Archer reviews two short films that were supposed to have its premiere at SXSW 2020: Run On, directed by Daniel Newell Kaufman and The Shawl, directed by Sarah Kiener.
Castlevania is just as exciting as any season that came before and raises the bar with one of the most shocking penultimate episodes of the entire show.
The 3rd episode, “On The Wings of Keerdaks” was just a classic episode of Clone Wars with one thing on the agenda: get out alive. Let’s talk about it.
For our final report from the inaugural Fantastic Film Festival Australia, we take a look at two films that were in production for many years, Away and S He.
This telling of White Snake adds an action-fantasy plot to its romance story, and feels like a mesh of other fantasy films you’ve seen before.
Before I fell in love with Baby Yoda and the gunslinging world brought to us…
Harley Quinn is both entertaining, insightful and inspiring, and opens doors to great possibilities for DC Comics animation.
It’s Onward and downwards for Pixar, as their Dungeons and Dragons inspired latest is one of their most disposable efforts to date.
Stephanie Archer takes a look at 2020’s Oscar Nominated Animated Short Films, Daughter, Hair Love, Kitbull, Mémorable and Sister.
In the end, BoJack Horseman is a show about growth, and Season 6 proved that the series evolved along with its characters.
Shinkai’s Weathering With You is more than content to face the onslaught with the naive fantasies of youth. He’s unabashed about giving himself over to them totally.
Sean Fallon considers another episode of The Simpsons in his quest to find the all-time greatest episode. Is “Homer’s Barbershop Quartet” it?
I Lost My Body leaves plenty to be interpreted and discovered by its viewers, making it one of the most thought provoking animated films of the 2010s.
Spies in Disguise is an almost poetically appropriate summary of everything computer animation has become in the last ten or so years.