animation
Animated films often don’t work when translated to live-action; here, we discuss just why that may be, and why it should be avoided.
Loving Vincent is a stunning work of art, with every frame a Van Gogh-style painting, and it’s intriguing on a narrative level as well.
While The Lego Ninjago movie is heartwarming and fun, its setting is problematic, and the franchise is becoming painfully formulaic.
My Life as a Courgette is animation at its very best, providing heart and thought-provoking ideas amidst a backdrop of eye-popping beauty.
Batman And Harley Quinn’s lack of action and poor voice acting for the character of Harley Quinn make for a disappointing film.
Plotless, joyless and cash-grabbing, The Emoji Movie deserves the brunt of our wrath because it showcases everything wrong with Hollywood.
Although unashamedly made for the youngest audiences possible, Captain Underpants is infectiously charming to all ages.
Basically, Despicable Me 3 is a lackluster reworking of what worked in the previous films, with more jokes and less heart.
In this all new episode of the Film Inquiry Podcast, Jay & Mike rank the Pixar filmography and talk about the Han Solo film!
In the second of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
Choosing nostalgia over creativity, we explore the successes and pitfalls of Disney and their continuing trend of live-action remakes.
One of the true auteurs of cinema working today, Wes Anderson has become distinguished for his uniquely visual, quirky character-driven films.
Stephanie Archer reports on her time during Tribeca Film Festival 2017, and on day 3 reviews a few short films she got to see.
Blending grounded animation with fantasy, Only Yesterday is a stunning work from Studio Ghibli, expressing down-to-earth life in the country.
The Boss Baby offers occasional laughs and is clearly politically-driven, yet it is ultimately fleeting, forgettable entertainment.