animation
We analyze the short films of Don Hertzfeldt, which though seemingly simple, actually have quite a lot to say.
Love, Death & Robots was intended for a very niche audience, and for them it’ll prove a masterfully-crafted acid trip that makes for a cathartic experience.
Our quest to find the greatest Simpsons episode continues, with “A Streetcar Named Marge,” a parody of A Streetcar Named Desire.
In the second of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s “Homer the Heretic”.
In the first of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s Last Exit to Springfield.
With an emotionally moving story and flawless execution in every element, Lost & Found is a sight to behold.
The Lego Movie 2 is a perfectly crafted sequel that expands on the world of its predecessor, but stands firmly on its own little Lego-legs.
The conclusion to the animated trilogy, Godzilla: The Planet Eater, is as flawed and unsatisfying as the previous entries – and it might be the dullest of the bunch too.
Rotoscoping hasn’t really been used in this way before. True, this feature from German-Iranian animator…
Sullivan’s Travels may not quickly come to mind when watching Monsters, Inc., but after examining both films, there is a connection in not only their themes but their structures as well.
More so than the previous feature adaptation, Watership Down is a bold allegorical tale that is best kept from the eyes of younger viewers.
Mowgli: King of the Jungle doesn’t impart the sort of excitement you might hope from the newest entry, but it does have a resonance that many of its predecessors didn’t.
As anime becomes increasingly mainstream in the west, Film Inquiry’s Christina Tucker examines the past and potential future of the genre.
As a stylistic achievement of world-building, the animated saga Spider-Man: Into The Spider-Verse is just bursting at the seams with an infectious energy that can barely be contained by a single film.