Blonde has and will continue to infuriate audiences, yet is a film that can be studied for not only the continued dominating male gaze, but for the need of women to tell women’s stories.
They say if two’s company, then three’s a crowd, but I like crowds, especially when they’re crowds of gangster movies from countries around the world. So this is our third outing (first here, second here), and if my editor doesn’t kill me, there might be a fourth. Yes, there’s crime in every country, and where there’s crime there are criminals, and when they get organized they become gangsters, and if said country has a film business chances are they will make gangster movies.
Who doesn’t love a good Western? The wide-open, lawless expanse of the mythical West is the perfect backdrop for stories of heroism, betrayal, and windswept romance. Perhaps more than any other film, a Western is made of symbols: