Andrea Riseborough
Unfortunately, every single second that came before the ending in Alice & Jack was terrible.
“Please Baby Please,” a MUBI release, is as campy as it is difficult, though Andrea Riseborough leans into the movie’s energy.
While it doesn’t reinvent the wheel, To Leslie is anchored by an incredible performance from Andrea Riseborough and confident direction of Michael Morris.
When a new family moves in next doorm their young daughter, Megan, quickly captivates Laura, stirring up painful memories of her own daughter, who died.
As part of Melbourne’s annual Monster Fest, we got a look at one of the films in the lineup: Brandon Cronenberg’s Possessor.
Luxor will reward that patience with a lovely, unsentimental look at life, which is well worth the price of admission.
Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.
Based on Roberto Saviano’s book, ZeroZeroZero is a fascinating miniseries about the global cocaine market. It’s a no-brainer for anyone who enjoys crime drama series.
Burden’s misfires are too numerous to hit on any sort of reality, making it a frothy and less than ambitious piece of entertainment.
The best moment in this 2020 rendition of The Grudge is when the title card…
Mandy continues to establish Cosmatos’ many predilections as a visual stylist and storyteller, albeit in a significantly more successful package.
Emma Stone shines as tennis player Billie Jean King in Battle of the Sexes, which reminds us of how little progress we’ve made since the 70s.
Mindhorn, the debut feature film from theatre director Sean Foley, has one hell of a concept that has been created as a Frankenstein’s monster, taking bits and pieces from other British cult comedies from the last two decades.