Throughout its limited run, The Eddy is a stylistic and emotional success. Any shots at true greatness, however, are hampered by some persistent narrative frailties.
The most surprising thing about High Flying Bird is how it takes a niche and seemingly uninteresting topic and finds a message of social importance within.
The latest episode of Castle Rock, “Henry Deaver”, dives further into the mystery behind the character, providing us with an alternative, intriguing world.
While feeling a bit like a preparatory hour designed to give us a push into the final climax, there’s still some good ol’ terror to be had in the latest Castle Rock episode.
Castle Rock’s Filter is an impeccably scored episode, with enamoring performances by Spacek and Holland, that level out the grooves this mixed bag left behind.
Castle Rock is haunted, and there’s a reasonable amount of fantastical threads, but it is grounded with characters impacted by very real circumstances.
Airing the first three episodes at once, we’re able to get a good grasp on Castle Rock’s core tale, without fully knowing the depths of this thrilling new series by creators Sam Shaw and Dustin Thomason.
What happened to the art of film criticism, the kind of visceral, honest prose delivered from titans like Pauline Kael? We are witnessing its noisy death rattle and few seem to care. Moonlight, the newest film from director and co-writer Barry Jenkins, is a literal coming-of-age story, chronicling the journey of a young, gay black man, Chiron, into adulthood amidst the rougher parts of Miami.
Though Moonlight employs a stylistic, arthouse approach as opposed to a traditional narrative, it is nonetheless an important one to watch for people of all walks of life.