Anarchic Cinema
Salt of the Earth espouses the fiercely independent nature of anarchic filmmaking, and remains one of the most important films in American history.
On numerous conscious and subconscious levels, Jean Vigo’s Zero for Conduct is one of the most honest examinations of humanity and human society yet made in cinematic form. That is Anarchic Cinema.
In our latest entry of Anarchic Cinema, we discuss the birth of Japanese V-Cinema and the contributions of Takashi Miike.
Matthew Roe explores the Dogme 95 movement, arguing that it shows the boundaries of the human psyche, creativity and sociopolitical climate more effectively than any other movement of its time.
Andy Warhol is often considered a pioneer of the “anti-film” or cinematic nihilism, though his films themselves leave much to be desired.
In our latest entry of Anarchic Cinema, we discuss Nick Zedd’s 1979 undiluted cinematic punk rock film They Eat Scum.
Matthew Roe introduces Anarchic Cinema, the beginning of a new series focusing on the evolution of art from the obvious to the complex.