Amazon Studios
Science fiction is a lot harder than it looks. On one end, the writers and…
Goodnight Mommy is a decent horror vehicle, designed to entertain but lacking the stamina and direction to terrify.
Wildcat, despite all its good intentions of stringing together the ‘beautiful’ parts of life, it remains disappointing in keeping those terrors distant.
With A Hero, filmmaker Asghar Farhadi returns once again to the themes of societal strife that have run through his previous films.
Edited from decades of footage that were self-shot by Kilmer himself, Val is an extraordinary piece of filmmaking.
Everybody’s Talking About Jamie is one of the better film adaptations of a stage musical.
I’m Your Woman, the fourth feature film directed by Julia Hart, offers some unique twists on the ‘70s crime thriller.
Despite its many strengths and successes, Education was the only Small Axe film that left me wanting more.
Alex Wheatle is yet another strong showing from Steve McQueen and company, and one that feels more personal than the rest.
The Goldfinch is not a secret masterpiece, but it is good, beautiful even, and is worthy of revisiting and re-evaluation.
Despite great moments of tension and a solid Joseph Gordon-Levitt performance, 7500 is a film of unfulfilled potential.
In Shawn Cauthen’s Netflix vs. the World, we witness the rise of Netflix from a fledgling startup to a producer of original content that wins Academy Awards.
Selah and the Spades takes the traditional trappings of coming-of-age stories and views them through a filter of a calculated coldness.
Based on Roberto Saviano’s book, ZeroZeroZero is a fascinating miniseries about the global cocaine market. It’s a no-brainer for anyone who enjoys crime drama series.
Well-acted, and relentlessly brutal, Hunters has the ability to garner more attention but falls short from being memorable.