Alfred Hitchcock
While the visuals and horror may not have stood the test of time, The Birds proves there is still more to be taken away watch after watch.
Let’s take a look at Psycho II as one of Hollywood’s most famous belated movie sequels.
Alfred Hitchc*ck’s oft-forgotten The Trouble With Harry delightfully blends small-town Americana with his usual penchant for droll humor and the macabre.
There are such a vast number of planes to appreciate Rear Window on and one…
In episode two of our Youtube series, Decipher, we explore the myths and legends that connect to Alfred Hitchc*ck’s Vertigo.
Today, we analyse Blair Witch, Adam Wingard’s influences and how he applied the horror concept of home invasion on a film set in a forest.
Alfred Hitchc*ck is famous not only for his masterful films, but for the sometimes harmful ways that he would treat his leading ladies.
With Hitchc*ck/Truffaut, Kent Jones has created a meticulous and perceptive work in which essay, commentary and conversation overlap, charting the strange synthesis of reverie and technique which constitutes the art of filmmaking.
Strangers on a Train is one of Hitchc*ck’s famous works – using only camera techniques and visuals, it successfully conveys a chilling story, and achieves its horror with less than blood and creepy props.
Every year, ten movies are bestowed the honor of becoming nominated by the Academy of Motion Arts and Sciences. Many of these films will have already had various successes throughout the year; good festival attendance, box office success and the receiving of other prestigious awards. Yet, only one of the ten films ends the night being declared the best of the best.
Sexism in film has been a topic of discussion since the rise of feminism, and in particular, since Laura Mulvey’s 1970’s research into ‘the male gaze’ in cinema. Fortunately, modern films are slowly but surely making a conscious effort to break down stereotypical gender roles and tired one-dimensional characters, but when it comes to the classics, many of the limited and restricted archetypes we try to move away from today are showcased in these films. This year, Alfred Hitchc*ck’s mystery thriller Vertigo was voted the greatest film of all time by a BFI poll.
In 1960, Alfred Hitchc*ck saw the future. The British director had been a force in cinema since silent films, but the 1950’s were by far his most successful decade at the movies. He churned out blockbuster after blockbuster, all filmed in gorgeous color with top Hollywood stars like James Stewart, Cary Grant, and Grace Kelly.
It was 1962; Grace Kelly was no longer an actress. She was, at this point in her life, ruling the Principality of Monaco with her then husband Prince Rainier III. She had already had two children and another one on the way; the last thing on her mind was making another film.
British director Alfred Hitchc*ck’s reputation as the “Master of Suspense” is still familiar to moviegoers around the world 25 years after his death. Hitchc*ck’s jowly visage and drawling accent are pop culture fixtures, and his movies are endlessly imitated and even spun-off into popular TV series. However, Hitchc*ck was more than just the man who gave the world Norman Bates and that infamous shower scene in Psycho (1960).