Alfred Hitchcock
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Every year, ten movies are bestowed the honor of becoming nominated by the Academy of Motion Arts and Sciences. Many of these films will have already had various successes throughout the year; good festival attendance, box office success and the receiving of other prestigious awards. Yet, only one of the ten films ends the night being declared the best of the best.
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Sexism in film has been a topic of discussion since the rise of feminism, and in particular, since Laura Mulvey’s 1970’s research into ‘the male gaze’ in cinema. Fortunately, modern films are slowly but surely making a conscious effort to break down stereotypical gender roles and tired one-dimensional characters, but when it comes to the classics, many of the limited and restricted archetypes we try to move away from today are showcased in these films. This year, Alfred Hitchc*ck’s mystery thriller Vertigo was voted the greatest film of all time by a BFI poll.
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In 1960, Alfred Hitchc*ck saw the future. The British director had been a force in cinema since silent films, but the 1950’s were by far his most successful decade at the movies. He churned out blockbuster after blockbuster, all filmed in gorgeous color with top Hollywood stars like James Stewart, Cary Grant, and Grace Kelly.
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British director Alfred Hitchc*ck’s reputation as the “Master of Suspense” is still familiar to moviegoers around the world 25 years after his death. Hitchc*ck’s jowly visage and drawling accent are pop culture fixtures, and his movies are endlessly imitated and even spun-off into popular TV series. However, Hitchc*ck was more than just the man who gave the world Norman Bates and that infamous shower scene in Psycho (1960).