Alexander Skarsgård
James and Em Foster are on an all-inclusive beach vacation when a fatal accident exposes the resort’s reckless violence and surreal horrors.
Both beautiful and brutal, Robert Eggers’ The Northman is a saga worth seeing.
From acclaimed director Robert Eggers, The Northman is an epic revenge thriller that explores how far a Viking prince will go to seek justice.
While Godzilla vs. Kong is by far the best installment of this rebooted franchise, the MonsterVerse could still learn a few lessons from its forerunners.
Fearsome monsters Godzilla and King Kong square off in an epic battle for the ages, while humanity looks to wipe out both of the creatures.
As it is, The Stand, has some great direction and acting, even if some of the time management isn’t on point.
Despite Nat Wolff’s outstanding performance, those interseted in The Kill Team are better off sticking with the documentary.
The Hummingbird Project is hell-bent on becoming a conventional thriller, never grappling with the theme of money’s corrupting influence.
In Long Shot, a guy reunites with his first crush. When she makes a run for the Presidency, she hires him as her speechwriter and sparks fly.
In The Aftermath, a British colonel and his wife are assigned to live in Hamburg during the post-war reconstruction, but tensions arise with the German who previously owned the house.
With some of his most impressively staged set pieces to date, Hold the Dark proves that Jeremy Saulnier is one of the most assured genre filmmakers working today.
In Hold The Dark, a writer named Russell Core (Jeffrey Wright) is hired by the parents of a missing six-year-old boy to track down and locate their son in the Alaskan wilderness.
Mute is riddled with unoriginal elements, from the Blade Runner inspired visuals to the generic missing persons story, to the underdeveloped characters; it is a misfire on all accounts.
Thought the buddy cop movie formula was tired? Well, it is a cinematic breath of fresh air in comparison to the “bad cop” movie. These movies are tiresome depictions of lawmen (and make no mistake, they are always men) who break every rule in the book whilst trying to enforce it – and even though there have been solid entries into the genre in recent years, it can’t help but feel worn out.
I’m not now, nor have I ever been, a teenage girl. I’m not even a teenager anymore, and chances are if you’re in the UK and tried to see The Diary of a Teenage Girl, you won’t be either. Thanks, BBFC.