Alex Lawther
Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.
Andy Nyman and Jeremy Dyson’s adaptation of their hit stage play Ghost Stories is a serviceable British horror – but with so many recent gems in the genre, is being “serviceable” enough to justify its existence?
FREAK SHOW: Alex Lawther Dazzles In A Transformative, Career-Making Performance
Departure is a coming-of-age film focused on the budding romance between a boy and his friend, yet it doesn’t fully succeed in this prospect.