Alessandro Nivola
If “Kraven the Hunter” can balance its identity and its obligations to the superhero genre, this film could find a spot in Marvel’s superhero box set.
Without Gandolfini, without any sort of revelation, we’re left with a movie that sort of resembles The Sopranos but feels more like a cheap knock off.
Join Bailey Jo Josie for her first report straight from the 48th Seattle International Film Festival with River and Spin Me Round.
The Many Saints of Newark, a prequel film to The Sopranos, never quite reaches the heights of its television show predecessor.
The Art Of Self-Defense is a dark, sharp and poignant take on the current gender roles and expectations in society.
In The Art of Self-Defense, after a man is attacked at random on the street he enlists at a local dojo in an effort to learn how to defend himself.
The Art of Self-Defense is not only a must-see, it’s an easy contender for the best film of the year so far.
Lacking emotional honesty, Disobedience from director Sebastián Lelio fails to create believable, organic tension between its characters and translate an understanding of the films primary cultural focus and subject matter.
You Were Never Really Here is a rare film that is conclusive proof that a great director can elevate familiar source material.