adventure
Attempting to fit a lifetime of legendary adventure into a two-hour film, Amundsen: The Greatest Expedition doesn’t manage to tell us that much at all.
Monster Hunter is a relic of sorts, where the guts and action, unrefined and tawdry as they are, are at least based on a genuine creative impulse.
As an action film, Chaos Walking works, it’s a fun popcorn flick, but It’s a pity most of these characters can’t stop talking.
Travis Knight’s Bumblebee is a surprisingly well-done action film that brings heart and friendship to the Transformer franchise.
Full of unfunny human characters and a plot that doesn’t even involve its iconic animal characters, Tom & Jerry is a gross miscalculation.
This battle of Nazis versus Christmas forms the unusual narrative backbone of a bizarre yet beloved Christmas classic: Santa Claus is Comin’ to Town.
The story of Rudolph is a celebration of the outcasts, yes, but what makes it gay?
Though not without its flaws, Wonder Woman 1984 proves to be a worthy and striking follow-up to an already great prequel.
André Øvredal’s Mortal is a mature and sober take on the superhero origin story, favoring emotional conflict over physical conflict.
In the latest Away from the Hype, Sean Fallon looks back at the 1980 film, Cannibal Holocaust.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
Daryl MacDonald spoke with Tomm Moore and Ross Stewart to discuss the third in their unofficial Celtic folklore triptych: Wolfwalkers.
Attack The Block from Joe Cornish remains a rare gem that challenges the audience just as much as it entertains.
Alex Lines had the chance to talk with Rams director Jeremy Sims about adapting the Icelandic drama.
In an era where hand-drawn animations are fewer and fewer, films like this one ought to be shouted from the rooftops and celebrated.